Superclump – Fringe 2009 - ***3 Stars



In 140 char­ac­ters or less: “If they can just get the tim­ing as fast as a speed­ing bul­let Super­clump will become a sketch group of steel.”

I’m not sure how many peo­ple are in Super­clump. I could find out but I pre­fer to be happily dazzled and mystified by the array of characters this large and enthusiastic cast play.

This is a bizarre sketch show, with some Big Train-ish moments and lash­ings of stu­pid dances. It holds together well, but the pac­ing some­times loses its way, leaving the audience unsure when to applaud. Some sketches were just too long (a brilliant stand off between two macho lotharios loses it’s way trying to get to a pun) and others just too short (the annoying Red Riding Hood and her short tempered grandmother).

The act­ing for the most part is pretty strong: Mike Wozniak is absolutely on top form, and he clearly leads the group on stage. Tom Craine and Nat Luurtsema get some of the best lines, but it’s a real team effort over­all and there’s something delightful about watching sketches where you’re never sure quite how many more people will end up on stage.

The team are quite successful in getting all their personalities across, despite playing a variety of characters without breaking the fourth wall particularly often, though it was a charming and revealing moment to see Craine and Elis James corpsing in the Aesop sketch. It’s clear there is a cen­tral drive to the sense of humour which makes Superclump great, and with such a large cast they could have easily lost their way with this.

In order to really get the most out of this show, watch out for when sketches take a darker turn: a dance turns bizarrely violent, children play some very odd games, and just wait until you find out what’s in the party bags…

There are definitely a few dud moments they could scrap in this show, and it suffers mildly from the post-lunch sleepy slot, but when Super­clump shine they really dazzle.

Words: Elise Bramich
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